Originally Posted by Bobbye
ENGRAVING OF THE STONES OF THE "URIM & THUMMIM!"
WHAT WAS THE METHOD?
One of the greatest forms of Bible Study or Christian discussion is not merely questions/answers or debate; rather, a contribution of ideas. I've found this lacking (to my dismay) in the majority of the forums of which I've participated for the past five years. Thus, I offer the following as a "contribution of ideas" regarding the engraving of the stones on the Breastplate of The High Priestly garment ("The Breastplate of Judgment). The stones were referred to as "Urim and Thummim" or "lights and perfections."============.
THIS ARTICLE IS FROM THE FOLLOWING:
Holy Temple Studies: The Priestly Garments by Rabbi Chaim Richman
Reprinted from The Restoration newsletter, September, 1996 (Tishrei, 5757)
An In-Depth Focus on the Priestly Garments.
THE HIGH PRIEST’S BREASTPLATE ("BREASTPLATE OF JUDGMENT")
“And you shall make the breastplate of judgment, the work of an artist; after the manner of the ephod shall you make it: of gold, sky-blue, dark-red, and crimson dyed wool, and of twisted linen shall you make it” (Ex. 28:6,15).
This garment is called choshen mishpat in Hebrew, which means the “breastplate of judgment” or “decision.” Square-shaped and worn over the heart, it was called so because of the unique role which it played in helping to render fateful decisions. According to the Biblical instructions and rabbinical traditions, the breastplate is a patterned brocade like the ephod. The threads of its fabric are gold, sky-blue, dark red and crimson wool, and twisted linen. The garment itself is set with four rows of small square stones, in settings of knitted or braided gold. Each row contained three stones—totaling twelve stones, one stone representing each of the twelve tribes of Israel. The name of the corresponding tribe was engraved on each stone.
The Stones:
“And you shall set it with four rows of mounted stones; the first row: a ruby, an emerald, and a topaz. The second row: a carbuncle, a sapphire, and a quartz crystal. The third row: a jacinth, an agate, and an amethyst. The fourth row: a chrysolite, an onyx, and an opal. These stones shall be placed in gold settings. THE STONES SHALL CONTAIN THE NAMES OF THE TWELVE CHILDREN OF ISRAEL, ONE FOR EACH OF THE TWELVE STONES; EACH ONE’S NAME SHALL BE ENGRAVED AS ON A SIGNET RING, TO REPRESENT THE TWELVE TRIBES” (EX. 28: 17) “The Engraving of a Signet Ring”
WHAT PROCESS IS THIS ENGRAVING, SIMILAR TO THAT WHICH APPEARS ON A SIGNET RING?
In a Talmudic analysis (BT Sotah 48:B), the sages taught that because of these instructions, the words were not written with any sort of ink. Nor were they carved out or chiseled with any metal tool—for the verse (ibid. v. 20) specifically indicates that the stones must be set into their golden settings while yet “in their fullness;” in order to carve or to scratch out from the surface, some of the stone itself would inevitably be missing.
Rather, a most unique method was utilized to carve the names into the stones of the breastplate. It was accomplished naturally, by one of G-d’s creations. A WORMCALLED "THE SHAMIR" existed that could cut stones merely with its glance. According to the rabbis, this creature was brought into existence during the original six days of creation, but ceased to exist following the destruction of the First Temple.
It is taught that Moses himself used the shamir for the stones of the original ephod and breastplate while yet in the desert, for the Tabernacle.
“Initially, the words are written on the stones in ink. Then the stones are simply exposed to the shamir (worm), and the letters are cut into the stones automatically, of their own accord…like a fig which ripens and splits open in summer; it splits open but yet no part of it is missing. And a valley splits open during the rainy season, but it too lacks nothing” (BT Sotah 48:B)—thus the stones remained “in their fullness.”
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