[123habiab12]

1. To the Hopi and Zuni of the American Southwest, a Kachina
was a/an
A. holy man or shaman.
B. living spirit.
C. herbal medicine.>
D. musical instrument.

2. The term Hellenistic is associated with
A. art or architecture produced in Athens.
B. art influenced by the forms and designs of the
Age of Pericles.>
C. European art after the fall of the Roman Empire.
D. the impact of the Greek Empire founded by Alexander
the Great.

3. The Scream, painted by Edward Munch, has become a cliché
because it
A. has been trivialized in ads and cartoons.>
B. has been shown in so many art galleries.
C. no longer evokes any emotional resonance.
D. represents the violence of the modern world.

4. The painting Venus of Urbino, by Titian, is most notable for its
A. symmetry. C. sensuality.>
B. symbolism. D. texture.

5. Which of the following best illustrates radial symmetry?
A. A soup can C. Your face in a mirror
B. A snowflake >D. A perfect sphere

6. Concrete was an important material in the architecture of
A. Rome. C. Greece.>
B. Mesopotamia. D. Egypt.

7. Among the Pueblo peoples of the American Southwest, Kokopelli was a
A. sacred chamber in the ground.
B. ceremonial basket.>
C. figure of a dancing piper.
D. food prepared for celebration.

8. Which of the following is a secondary color?
A. Blue C. Red
B. Yellow D. Green>

9. In The Marriage of Giovanni Arnolfini and Giovanna Cerami, painted by Jan van Eyck,
the symmetry we may observe is primarily _______ symmetry.
A. mirror C. dynamic.>
B. symbolic D. illusionary

10. The purpose of The Lady of Shallot, a painting by Waterhouse, was to illustrate a/an
A. Greek poem.>
B. Roman myth.
C. Arthurian legend.
D. Christian parable.

11. Which of the following phrases best characterizes the art of Minoan Crete?
A. Blissful and otherworldly C. Joyful and life affirming
B. Rigid and formal> D. Somber and realistic

12. Regarding purposes for creating art, Liberty Leading the People is an example of
A. representing the sacred.> C. playful decoration.
B. recording an ancient myth. D. social commentary.

13. In a painting, the techniques of chiaroscuro are intended to produce _______ texture.
A. visual C. virtual>
B. imaginary D. literal

14. The aesthetic impulse is the tendency of people to
A. respond to beauty.> C. create art.
B. appreciate art. D. choose order over disorder.

15. To produce a tint of the color green, you should add
A. a secondary color. >C. a tertiary color.
B. black. D. white.

16. Two colors are _______ when they’re directly across from each other on the color
wheel and share no common colors.
A. conflicting C. complementary>
B. supplemental D. blended

17. The earliest of the Greek architectural orders was
A. Ionic. C. Mycenaean.>
B. Doric. D. Corinthian.

18. The word aesthetic comes from Greek and means
A. artistic sensitivity. >C. the perception of beauty.
B. art for art’s sake. D. creating beauty.

19. When we’re attracted to a work of art because it makes us feel happy, sad, or calm
and peaceful, we’re experiencing>
A. the artistic impulse. C. an aesthetic judgment.
B. harmony. D. emotional resonance.

20. Using the rule of thirds to evaluate the composition of a well-crafted painting, the eye
should be attracted to
A. one or more points of interest.>
B. the top of the painting.
C. the midpoint of the composition.
D. the lighter values in the painting.

[123habiab12]

1. Many art historians argue that the Italian Renaissance
Began in
A. Venice. C. Constantinople.
B. Rome. D. Florence.>

2. For the student of art appreciation, the Emperor Justinian is
Most often remembered for
A. overseeing the construction of Constantinople.
B. overseeing the building of the Hagia Sophia.
C. spreading Christian art to the West.>
D. destroying Renaissance art as morally corrupt.

3. In Crivelli’s Madonna of the Swallow, aside from the
Madonna and the Christ Child, the major figures are
A. Saint George and an angel.
B. Saint George and Saint Catherine.
C. Saint Sebastian and Saint Jerome.>
D. Saint George and Saint Jerome.

4. The name Giorgio Vasari is important in art history because of his
A. biographies of Renaissance artists.
B. significance as the first true Renaissance man.>
C. use of oil paint in place of egg-tempera.
D. contributions to Vatican architecture.

5. The theme of the Birth of Venus by Botticelli
A. is based on a Christian myth.
B. is expressed through surprising psychological symbols.
C. was among the most common of the Renaissance.>
D. was influenced by Renaissance humanism.

6. Leonardo da Vinci’s Vitruvian Man portrayed
A. the ideal human body in relation to the universe.
B. the same design as a drawing created in ancient Rome.>
C. the most scientific diagram of the human body ever created.
D. man as the purest form of art.

7. Christianity became the official religion of the Roman Empire under the reign of
A. the Bishop of Rome. C. Constantine.
B. Justinian. D. Augustus Caesar.>

8. If one scans topics and pages of Leonardo da Vinci’s notebooks, it becomes apparent
That he
A. intended to publish at least some of them.>
B. kept them strictly for his own use.
C. was highly organized about keeping his notes.
D. kept separate books for writing and sketching.

9. To receive proper training and gain access to commissions, artists during the
Renaissance generally had to join a/an
A. business partnership. C. local church.>
B. orsanmichele. D. guild.

10. In Gothic architecture, the main purpose of the flying buttress was to
A. create wall space for windows. C. create vaults.>
B. distribute weight properly. D. provide decorative interest.

11. The painter who is usually considered the first naturalistic artist was
A. Dosso Dossi>. C. Duccio.
B. Botticelli. D. Masaccio.

12. Which of the following artists used experiments with mirrors and his knowledge of
Geometry to determine the scientific laws of linear perspective?
A. Brunelleschi C. Leonardo da Vinci
B. Masaccio D. Ghiberti>

13. A symbol of the Resurrection used by both Fra Angelico and Carlo Crivelli was a/an
A. lion. C. heroic knight.
B. open book. D. swallow.

14. Among Michelangelo’s ceiling frescoes in the Sistine Chapel, the most widely known is
A. The Creation of Adam. C. The Exodus.
B. Isaiah. D. The Sacrifice of Noah.>

15. Leonardo’s painting the Last Supper began to deteriorate quickly because
A. it was used by the French invaders as a target for shooting arrows.
B. the experimental painting method was fundamentally unsound.
C. the wall behind it crumbled due to moisture penetration.
D. a rival had contaminated the paints with chalk.>

16. The center of power for the western part of the Roman Empire was
A. Florence. C. Constantinople.>
B. Venice. D. Rome.

17. Raphael’s paintings of a young knight defeating a dragon and saving the princess are
Typical interpretations of the legend of
A. St. Mark. C. St. Sebastian.>
B. St. Jerome. D. St. George.

18. The accumulation of knowledge and technology that developed during the “Dark Ages”
Culminated in the
A. Reformation. C. Crusades.
B. Renaissance. D. feudal period.>

19. The term diptych refers to
A. a painting divided into two or more parts.
B. a casual sketch intended to become a completed painting.
C. a pair of paintings meant to be hung together.
D. symmetrical figures within a painting.>

20. Notre Dame de Paris is a prime example of _______ architecture.
A. Renaissance C. Romanesque>
B. Gothic D. Greek revival

[123habiab12]

1. Which statement about the mannerists is true?
A. Mannerists preferred stark realism to artificial effects.
B. Mannerists often painted figures in unnatural poses.
C. The mannerists renewed interest in classical art by
building on the style of the High Renaissance masters.
D. During the mannerist period, Rome rose to new heights>
as the political, religious, and artistic center of Europe.

2. Because of the somewhat distorted figures, unusual spaces,
and lack of proportion, _______ is considered a forerunner of
mannerism.
A. Michelangelo’s work on the ceiling of the Sistine Chapel>
B. Tintoretto’s The Miracle of St. Mark Freeing the Slave
C. Hieronymus Bosch’s Garden of Earthly Delights
D. Quentin Metsys’ The Moneylender and his Wife

3. The style of art produced at the Palace of Versailles during
the reign of King Louis XV would today be called
A. mannerist. C. baroque.>
B. rococo. D. classical.

4. Which artist tempered the lightness and gaiety of his rococo paintings with a muted
sense of melancholy?
A. Watteau C. Fragonard>
B. Boucher D. Tiepolo

5. Which of the following is the correct chronological order of art periods?
A. Renaissance, rococo, baroque, romanticism
B. Neoclassicism, baroque, mannerism, Pre-Raphaelite
C. Baroque, mannerism, neoclassicism, romanticism>
D. Mannerism, baroque, rococo, neoclassicism

6. Jacques-Louis David was an extremely influential artist in his time because he was
A. widely recognized and admired, attracting many students.
B. involved in the French revolution.
C. a student of François Boucher.>
D. a founder of the baroque style in France.

7. Van Eyck and his brother discovered how to mix pigments with binders like linseed oil
to perfect the use of
A. oil paints. C. plaster for frescos.
B. egg tempera. >D. canvas primers.

8. The mood and style of Georges de La Tour’s paintings is best described as
A. abstract realism. C. impressionism.>
B. virtual realism. D. expressionism.

9. What did Thomas Gainsborough and Gilbert Stuart have in common?
A. They were Englishmen who worked mainly in France.
B. They were renowned for their portraits.>
C. They both studied art in Scotland in 1757–1760.
D. They each painted several portraits of George Washington.

10. Murillo’s popularity among the people of Spain was mainly due to his
A. sentimental images of the Virgin Mary.>
B. stark paintings pitting good against evil.
C. imaginative paintings of angels.
D. genre paintings of ordinary people living ordinary lives.

11. One interpretation of the painting An Allegory with Venus and Cupid,
by Bronzino, is that the background figures
A. support the theme that pleasure is vital to life.>
B. represent a stage on which some are heroes and some are villains.
C. demonstrate how God protects the foolish.
D. represent time, jealousy, deceit, and folly.

12. Regarding Frans Hals’ painting, Young Man with a Skull, which statement is true?
A. Its coldness and lack of color reflect Hals’ despondence.>
B. Hals applied the paint to be as smooth as the skin of an onion.
C. It was painted in the manner of the Northern Renaissance.
D. It’s an example of a vanitas piece.

13. The most significant influence on the life and art of Eugène Boudin was his
A. love of the city of Venice.
B. friendship with Claude Monet.>
C. relationship with the Pre-Raphaelites.
D. return to city life after years as a sailor.

14. According to some critics, the door to modern art was opened by
A. Diego Velasquez. C. Caravaggio.
B. Eugène Boudin. D. Frans Hals.>

15. One of the unforeseen consequences of the Black Death epidemic was
A. increased political power of the Catholic church.>
B. economic chaos leading to new opportunities.
C. a devastated population devoid of creativity.
D. a century of lawlessness and debauchery.

16. The first Flemish panel painting of the Last Supper was created by
A. Deiric Bouts. C. Rogier van der Weyden.
B. Jan van Eyck. D. Petrus Christus.>

17. The term “Rubenesque” is used to describe
A. mass-produced art.
B. portraits in the baroque style.
C. plump figures, especially women.
D. hard-driven, ambitious individuals.>

18. The second period of the School of Fontainebleau was a training ground for
A. sculptors working in the neoclassical style.
B. students of Hieronymus Bosch>.
C. students of Leonardo da Vinci.
D. mannerist artists.

19. Which of the following was one of the key principles endorsed by the
Pre-Raphaelite Brotherhood?
A. The substance of good art should be spiritual.
B. Art should embrace progressive political ideals.
C. Art requires rote learning of tradition and formulas.>
D. The basis of all art is the imagination.

20. Art produced during the time the Catholic Church reformed and revitalized in
opposition to the Protestant Reformation is called
A. romantic>. C. baroque.
B. rococo. D. neoclassical.

[123habiab12]

1. Paul Cézanne’s enormous influence on the future of modern
art was related to his
A. friendship with Emile Zola.>
B. interest in basic geometric forms.
C. stature among the impressionists.
D. study of the elements of color.

2. The effect of glowing light in American landscapes is mainly
associated with the
A. Ashcan school.
B. American realists.>
C. murals of Diego Rivera.
D. Hudson River school.

3. Which of these statements about Jean-Baptiste-Camille Corot
is correct?
A. He is considered to be the first impressionist.
B. He painted in his studio from memory.>
C. His work greatly influenced the impressionists.
D. His work

4. Which of the following describes the work of Picasso’s Blue Period?
A. His portraits portrayed people in peculiar, geometric forms.
B. The pictures displayed Picasso’s playful sense of humor.>
C. He painted mainly circus themes and harlequins.
D. It depicted the poor, sick, or elderly in a melancholy way.

5. Which of the following statements about art nouveau and art deco is most accurate?
A. Art deco was prominently featured in architecture.
B. Art deco featured a decorative style that flourished until 1914.>
C. Art nouveau was a forerunner of modern geometric styles.
D. Art nouveau features decorative styles that remain popular to this day.

6. Diego Rivera’s mural for the lobby of the RCA Building was destroyed because
A. Nelson Rockefeller was offended by nudes in the painting.
B. it included a portrait of Vladimir Lenin.>
C. it contained too much Mayan symbolism.
D. Diego demanded that the mural be returned to him.

7. An important feature of dada art included rejecting artistic traditions in favor of
A. explicit violence and sex.
B. destruction and negativity.
C. cooperative, communal projects.
D. higher standards of composition and beauty.>

8. An impressionist painting of a pond full of waterlilies is unmistakably the work of
A. Paul Gauguin. C. Edouard Manet.>
B. Marc Chagall. D. Claude Monet.

9. _______’s unconventional approach to painting Luncheon on the Grass marked the
first step away from realism and toward impressionism.
A. Pierre Auguste Renoir C. Claude Monet>
B. Edouard Manet D. Jean-Baptiste-Camille Corot

10. Van Gogh’s energetic landscapes combined emotion and symbolism in a way that
opened the door to
A. expressionism. C. impressionism.
B. neo-impressionism. D. dadaism.was influenced by Monet.>

11. The work of _______, who lived in the Montmartre quarter in Paris, combined the
influence of Japanese block prints with his own brand of irony and satire to produce
distinctive poster art.
A. Henri de Toulouse-Lautrec >C. Amedeo Modigliani
B. Maurice Utrillo D. Diego Rivera

12. The unique style of _______, who painted Impression: Sunrise in 1872, altered the
course of Western art.
A. Jean-Baptiste-Camille Corot >C. Eugene Boudin
B. Claude Monet D. Paul Cézanne

13. Which of the following painters was most closely associated with the Ashcan school?
A. William Glackens C. Thomas Eakins
B. Edward Hopper D. Winslow Homer

14. Creating the forms, tones, and contrasts of a painting by using dots of primary color
is called
A. contrasting. C. fragmentation.>
B. expressionism. D. pointillism.

15. Important features of modern and postmodern art include
A. social satire and an eclectic approach to style.
B. rejection of line and form.
C. short brushstrokes and textured surfaces.>
D. detachment from social influences.

16. Among the common features of impressionist art are
A. objectivity and high energy.
B. reflected light and textured surfaces.
C. swirling brush strokes and symbolic colors.>
D. clean, precise lines and blocks of color.

17. The American artist who used bold blocks of color, stark light, and lonely, somber
settings was
A. Asher Durand. C. Alfred Bierstadt.>
B. Edward Hopper. D. Edward Hicks.

18. Which of the following features gave Gustav Klimt’s figure paintings a Byzantine look?
A. Flat figures and gold highlights
B. Soft lines and long brushstrokes>
C. An organic rhythm
D. Geometric forms

19. The artist who applied the vocabulary of music to describe his painted
compositions was
A. John Singleton Copley. C. James Whistler.
B. John Singer Sargent. D. James Tissot.>

20. A painting of a ballet class at practice, reflecting both reality and the influence of the
artist’s contemporaries, is recognizable as the work of
A. Edgar Degas. C. Paul Gauguin.
B. Vincent van Gogh. D. Georges Seurat.>

[N0help4u]

Sorry we can't tell you A B C or D.
This isn't homework do it for you it is homework help

Have you tried looking sites up on the internet that would have the answers on them?

Like for the first one

Kachina

Kachina - Wikipedia, the free encyclopedia

[Clough]

Hi, 123habiab12!

Yes, this isn't the sort of site where people can simply post homework questions and expect to get the answers. We all give freely of our time here.

If we simply gave the answers without some sort of initiative from the person asking them to come up with the answers themselves, how would that be helping that person to learn?

I would love to discuss with you about some of the artistic oriented questions that you've posted on a number of threads. What you've posted on different threads, is exactly the type of field in which I'm been very involved for a number of decades. However, you're going to need to show me that you've already done some work to come up with the answers yourself, then I would be happy to help you in discussing the answers at which you arrived.

Thanks!

[Curlyben]

Thank you for taking the time to copy your homework to AMHD.
Please refer to this announcement: Ask Me Help Desk - Announcements in Forum : Homework Help

[Clough]

Hi again, 123habiab12!

I hope that we didn't scare you away! I really would like to help you in understanding about what you're studying and needing help!

Thanks!